12/28/2023 0 Comments Greek orthodox burial shroud![]() ![]() ![]() In Slavic churches, the service of Compline will be served next, during which a special Canon will be chanted which recalls the lamentations of the Theotokos. Then the priest and faithful venerate the Epitaphios as the choir chants hymns. The bells of the church are tolled, and in traditionally Orthodox countries, flags are lowered to half-mast. The Tomb is often sprinkled with flower petals and rosewater, decorated with candles, and ceremonially censed as a mark of respect. This bier or catafalque represents the Tomb of Christ. In some Greek churches, an elaborately carved canopy stands over the Epitaphios. The Gospel Book is laid on top of the epitaphios. Near the end of the service, the priest and deacon, accompanied by acolytes with candles and incense, bring the Epitaphios in procession from the Holy Table into the center of the church and place it on a table which is often richly decorated for that purpose. The soma is wrapped in a white cloth and taken into the sanctuary. This may be either the large Gospel Book used at the Divine Liturgy, or it may be a small one.ĭuring the reading of the Gospel lesson (compiled from selections of all four Gospels) which recounts the death of Christ, an icon depicting the soma (corpus) of Christ is taken down from a cross which has been set up in the middle of the church. ![]() A chalice veil and the Gospel Book is placed on top of the Epitaphios. The priest may also anoint the Epitaphios with perfumed oil. "taking-down from the tree") Vespers on the afternoon of Great Friday, the priest and deacon will place the Epitaphios on the Holy Table. It is then placed on the Holy Table, where it remains throughout the Paschal season.įrom the Apokathylosis Service, prior to the removal of Christ's Body (the Epitaphios) from the Cross, and its placement in the Sepulcher ( Toronto, ON) ![]() The Epitaphios is used on the last two days of Holy Week in the Byzantine rite, as part of the ceremonies marking the death and resurrection of Christ. The icon, in particular a panel mosaic version taken to Rome, probably in the 12th century, developed in the West into the Man of Sorrows subject, which was enormously popular in the Late Middle Ages, though this shows a live Christ, normally with eyes open. In the Late Byzantine period, it was commonly painted below a Christ Pantocrator on the apse of the prothesis of churches, illustrating a liturgical hymn which celebrated Christ "On the throne above and in the tomb below". The Noble Joseph, taking Thy most pure body down from the Tree and having wrapped it in pure linen and spices, laid it in a new tomb. Usually, the troparion of the day is embroidered around the edges of the icon: The equivalent subjects in the West are called the "Anointing of Christ's body", or Lamentation (with a group present), or the Pietà, with just Christ held by Mary. The oldest surviving embroidered icon, of about 1200 (Venice) is in this form. Sometimes, the body of Christ appears alone, except for angels, as if lying in state. Nicodemus and others may also be depicted. Shown around him, and mourning his death, may be his mother (the Theotokos John the beloved disciple Joseph of Arimathea and Mary Magdalene, as well as angels. The scene is taken from the Gospel of St. The icon depicts Christ after he has been removed from the cross, lying supine, as his body is being prepared for burial. ![]()
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